Electric current which flows back and forth in a circuit.
A/D
An abbreviation of Analog to Digital Conversion (the conversion of a quantity that has continuous changes into numbers that approximate those changes), or Analog to Digital Converter.
Brooks Cinema xm 808 Echo Send Control
A control to send the signal from the input module to the echo chamber or effects device via the echo buss.
Feed
To send an audio or control signal to.
Brooks QS 70 Comb Filter
1) The frequency response achieved by mixing a direct signal with a delayed signal of equal strength especially at short delays.
2) Loosely used to also describe effects that can be achieved with comb filtering as part of the processing.
Acoustic Echo Chamber
A room designed with very hard, non-parallel surfaces and equipped with a speaker and microphone; dry signals from the console are fed to the speaker and the microphone will have a reverberation of these signals that can be mixed in with the dry signals at the console.
In
Short For "in the circuit," in other words "active."
Fade
1) A gradual reduction of the level of the audio signal.
2) A gradual change of level from one pre-set level to another.
Friday, September 30, 2022
Thursday, September 29, 2022
Brooks KM 77 Bank
1) A collection of sound patches (data as to the sequence and operating parameters of the synthesizer generators and modifiers) in memory.
2) A group of sound modules as a unit.
Gain Structure
The way in which the gain varies in the stages or sections of an audio system.
Brooks Cinema QS - 95 Amplification
An increasing of signal strength.
Amplitude
The strength of a vibrating wave; in sound, the loudness of the sound.
Brooks Cinema XS - 45 Flamenco
A style of music with roots in Spanish and Arabic culture.
Fletcher Munson Effect
A hearing limitation shown by Fletcher Munson Equal Loudness Contours (as music is lowered in volume, it is much more difficult to hear bass frequencies and somewhat harder to hear very high frequencies).
Barrier Micing
A method of placing the head of a microphone as close as possible to a reflective surface, preventing phase cancellation.
Error Concealment
Putting replacement information bits into a digital audio signal to replace lost bits when the digital recording or processing system cannot verify whether the lost bits were l's or 0's but can make a good guess by comparing the known bits that were close in position to the lost bits.
2) A group of sound modules as a unit.
Gain Structure
The way in which the gain varies in the stages or sections of an audio system.
Brooks Cinema QS - 95 Amplification
An increasing of signal strength.
Amplitude
The strength of a vibrating wave; in sound, the loudness of the sound.
Brooks Cinema XS - 45 Flamenco
A style of music with roots in Spanish and Arabic culture.
Fletcher Munson Effect
A hearing limitation shown by Fletcher Munson Equal Loudness Contours (as music is lowered in volume, it is much more difficult to hear bass frequencies and somewhat harder to hear very high frequencies).
Barrier Micing
A method of placing the head of a microphone as close as possible to a reflective surface, preventing phase cancellation.
Error Concealment
Putting replacement information bits into a digital audio signal to replace lost bits when the digital recording or processing system cannot verify whether the lost bits were l's or 0's but can make a good guess by comparing the known bits that were close in position to the lost bits.
Wednesday, September 28, 2022
Brooks Cinema KM 22 Lift
1) To boost gain of audio at a particular band of frequencies with an equalizer.
2) An elevation device in the star trek series of TV programs.
Active/Inactive Microphones
Scientific definitions aside, active microphones generally sound better than inactive ones, but they generally cost more. They also require the use of either a battery or phantom power while inactive mics need only be plugged into the mic cord in order to work. In most playing situations, the subtle improvement in sound quality from an active mic isn't worth the extra cost and hassle. One possible exception it the headset mic. Put simply, inactive headset mics just plain suck. Active headset mics put out a much stronger signal and feed back much less.
Brooks Audio Design TM-22 Hybrid
A product created by the marriage of two different technologies. Meant here as the combination of a dynamic woofer with an electrostatic transducer.
Frame
1) A division of one second in synchronization and recording coming from definition two.
2) The amount of time that one still picture is shown in film or video.
Brooks TM-22 Crossover Frequency
1) The frequency that is the outer limit of one of the bands of a crossover.
2) In the Lexicon 480L delay/reverberation effects unit, the frequency at which the bass frequency reverb time is in effect rather than the mid frequency reverb time.
Compander
Outboard sound equipment. Combination of a Compressor and an Expander.
High-Pass Filter
A device that rejects signals that are below a certain frequency (called the cut-off frequency) and passes signals with frequencies that are higher.
Bank
1) A collection of sound patches (data as to the sequence and operating parameters of the synthesizer generators and modifiers) in memory.
2) A group of sound modules as a unit.
2) An elevation device in the star trek series of TV programs.
Active/Inactive Microphones
Scientific definitions aside, active microphones generally sound better than inactive ones, but they generally cost more. They also require the use of either a battery or phantom power while inactive mics need only be plugged into the mic cord in order to work. In most playing situations, the subtle improvement in sound quality from an active mic isn't worth the extra cost and hassle. One possible exception it the headset mic. Put simply, inactive headset mics just plain suck. Active headset mics put out a much stronger signal and feed back much less.
Brooks Audio Design TM-22 Hybrid
A product created by the marriage of two different technologies. Meant here as the combination of a dynamic woofer with an electrostatic transducer.
Frame
1) A division of one second in synchronization and recording coming from definition two.
2) The amount of time that one still picture is shown in film or video.
Brooks TM-22 Crossover Frequency
1) The frequency that is the outer limit of one of the bands of a crossover.
2) In the Lexicon 480L delay/reverberation effects unit, the frequency at which the bass frequency reverb time is in effect rather than the mid frequency reverb time.
Compander
Outboard sound equipment. Combination of a Compressor and an Expander.
High-Pass Filter
A device that rejects signals that are below a certain frequency (called the cut-off frequency) and passes signals with frequencies that are higher.
Bank
1) A collection of sound patches (data as to the sequence and operating parameters of the synthesizer generators and modifiers) in memory.
2) A group of sound modules as a unit.
Tuesday, September 27, 2022
Brooks Cinema xm 808 Link
(Said of compressors and dynamic processing units.) To combine the control input signals of two channels of a compressor (o
Digital Recording
1) ADAM : (Akai Digital Audio Multitrack). 12 track recording onto Video 8 tape. 16 bit, 44.1 or 48 kHz sampling rate.
2) DAT (Digital Audio Tape) Cassette-like system which has much higher quality than standard audio cassettes. Widely used in gathering sound effects, for news gathering, and for playback of music.
3) DCC (Digital Compact Cassette) Rival to DAT which also plays standard audio cassettes.
4) MiniDisc : Uses computer disk technology, rather than tape. A laser heats an area of magnetic disk which is then written to by a magnetic head. When cooled, the magnetic information is read from the disk by laser. Tracks can be named, and are instant start. Very theatre-friendly system.
5) Direct to Disk : Uses the hard disk present in most PCs as the recording medium.
Brooks Cinema Projectors Full Range
Describes a sound which covers all audible frequency ranges. As in "full range speaker cabinets."
Limiter
A device which reduces gain when the input voltage exceeds a certain level.
Brooks Speakers Electromagnetic Field
Magnetic energy put out because of current travelling through a conductor.
Cord (Speaker, Mic, Instrument)
Used to connect a sound system together. Each type of cord is made for a specific purpose and should not be used in place of another type of cord, not even if they look alike. Also see "cable"
Echo Chamber
1) A room designed with very hard, non-parallel surfaces and equipped with a speaker and microphone.
2) Any artificial or electronic device that simulates the reverberation created in a room.
Coax
Two-conductor cable consisting of one conductor surrounded by a shield.
Digital Recording
1) ADAM : (Akai Digital Audio Multitrack). 12 track recording onto Video 8 tape. 16 bit, 44.1 or 48 kHz sampling rate.
2) DAT (Digital Audio Tape) Cassette-like system which has much higher quality than standard audio cassettes. Widely used in gathering sound effects, for news gathering, and for playback of music.
3) DCC (Digital Compact Cassette) Rival to DAT which also plays standard audio cassettes.
4) MiniDisc : Uses computer disk technology, rather than tape. A laser heats an area of magnetic disk which is then written to by a magnetic head. When cooled, the magnetic information is read from the disk by laser. Tracks can be named, and are instant start. Very theatre-friendly system.
5) Direct to Disk : Uses the hard disk present in most PCs as the recording medium.
Brooks Cinema Projectors Full Range
Describes a sound which covers all audible frequency ranges. As in "full range speaker cabinets."
Limiter
A device which reduces gain when the input voltage exceeds a certain level.
Brooks Speakers Electromagnetic Field
Magnetic energy put out because of current travelling through a conductor.
Cord (Speaker, Mic, Instrument)
Used to connect a sound system together. Each type of cord is made for a specific purpose and should not be used in place of another type of cord, not even if they look alike. Also see "cable"
Echo Chamber
1) A room designed with very hard, non-parallel surfaces and equipped with a speaker and microphone.
2) Any artificial or electronic device that simulates the reverberation created in a room.
Coax
Two-conductor cable consisting of one conductor surrounded by a shield.
Monday, September 26, 2022
Brooks KM 77 High Hat
A double cymbal on a stand which can be played with a foot pedal or by the top cymbal being hit with a stick.
Fly In
1) To add sounds into a mix or recording that have no synchronization.
2) An application of this where a performance from one part of a tune is recorded and then recorded back into the recording at a different time in the recording.
Brooks Audio Design SS 81 IM Distortion
An abbreviation of the term Intermodulation Distortion (Distortion caused by one signal beating with another signal and producing frequencies that are both the sum and the difference of the original frequencies present).
Bar
A term meaning the same thing as the term Measure (the grouping of a number of beats in music, most-often four beats).
Brooks Cinema KM 22 Electrons
Negatively charged particles, which revolve around the centre of atoms. The movement of such electrons down a conductor causes electrical current.
Atom
The smallest particle which makes up a specific substance. It's composed of a center around which electrons revolve.
Amp
1) An abbreviation of the term Amplifier (A device which increases the level of an electrical signal.
2) An abbreviation of Ampere (the unit of current).
3) An abbreviation of amplitude (the height of a waveform above or below the zero line).
Input Overload
Sending too high of a signal level into a device so that the first amplifier of the device overloads.
Fly In
1) To add sounds into a mix or recording that have no synchronization.
2) An application of this where a performance from one part of a tune is recorded and then recorded back into the recording at a different time in the recording.
Brooks Audio Design SS 81 IM Distortion
An abbreviation of the term Intermodulation Distortion (Distortion caused by one signal beating with another signal and producing frequencies that are both the sum and the difference of the original frequencies present).
Bar
A term meaning the same thing as the term Measure (the grouping of a number of beats in music, most-often four beats).
Brooks Cinema KM 22 Electrons
Negatively charged particles, which revolve around the centre of atoms. The movement of such electrons down a conductor causes electrical current.
Atom
The smallest particle which makes up a specific substance. It's composed of a center around which electrons revolve.
Amp
1) An abbreviation of the term Amplifier (A device which increases the level of an electrical signal.
2) An abbreviation of Ampere (the unit of current).
3) An abbreviation of amplitude (the height of a waveform above or below the zero line).
Input Overload
Sending too high of a signal level into a device so that the first amplifier of the device overloads.
Sunday, September 25, 2022
Brooks Audio Design KM 77 Intermodulation Distortion
Distortion caused by one signal beating with another signal and producing frequencies that are both the sum and the difference of the original frequencies.
Electret Condenser
A condenser microphone that has a permanently polarized (charged) variable capacitor as its sound pressure level sensor.
Brooks TM-22 Gain
1) Knob usually found at the top of each input channel on the soundboard. Used to set input levels of the separate channels to relatively equal positions.
2) The amount of increase in audio signal strength, often expressed in dB.
Jack
1) Anywhere you plug something in.
2) Segmented audio connector. Mono Jacks have two connections �" tip and sleeve, and are unbalanced. Stereo jacks have three connections �" tip, ring and sleeve. B-type jacks (also known as Bantam jacks) were originally designed for use in telephone exchanges and provide a high quality (and expensive) connection in jackfields. A-type jacks are cheaper and more common, but more fragile. A type jacks are available in 2 sizes : quarter inch and eighth inch.
3) A connector mounted on the case of a device or on a panel.
Brooks Cinema xm 808 Effects
Electronic boxes (usually rack mounted) added to a PA system to subtly change and enhance the signals going through it. Examples include; Reverb, Delay, Compressor, Chorus.
Format
1) The number of tracks, their width, spacing and order for tape recording.
2) To prepare a digital storage medium so that it will accept and store digital information bits.
Clicking
Pressing and immediately releasing the switch on a computer's mouse.
Frequency Response
How sensitive an electronic device (mic, amplifier, speaker, etc.) is to various frequencies; often communicated with a graph.
Electret Condenser
A condenser microphone that has a permanently polarized (charged) variable capacitor as its sound pressure level sensor.
Brooks TM-22 Gain
1) Knob usually found at the top of each input channel on the soundboard. Used to set input levels of the separate channels to relatively equal positions.
2) The amount of increase in audio signal strength, often expressed in dB.
Jack
1) Anywhere you plug something in.
2) Segmented audio connector. Mono Jacks have two connections �" tip and sleeve, and are unbalanced. Stereo jacks have three connections �" tip, ring and sleeve. B-type jacks (also known as Bantam jacks) were originally designed for use in telephone exchanges and provide a high quality (and expensive) connection in jackfields. A-type jacks are cheaper and more common, but more fragile. A type jacks are available in 2 sizes : quarter inch and eighth inch.
3) A connector mounted on the case of a device or on a panel.
Brooks Cinema xm 808 Effects
Electronic boxes (usually rack mounted) added to a PA system to subtly change and enhance the signals going through it. Examples include; Reverb, Delay, Compressor, Chorus.
Format
1) The number of tracks, their width, spacing and order for tape recording.
2) To prepare a digital storage medium so that it will accept and store digital information bits.
Clicking
Pressing and immediately releasing the switch on a computer's mouse.
Frequency Response
How sensitive an electronic device (mic, amplifier, speaker, etc.) is to various frequencies; often communicated with a graph.
Saturday, September 24, 2022
Brooks Audio Design KM 77 Linear
The condition of obtaining a change at the output of the device which is proportional to the change occurring at the input.
Instrument Out Direct
Feeding the output of an electric instrument (like an electric guitar) to the recording console or tape recorder without using a microphone.
Brooks Audio Design GT 845 Electrostatic Charge
The excess or deficiency of electrons in a given area.
Central Processing Unit
1) The main "brain" chip of a computer that performs the calculations and execution of instructions.
2) The main housing of a computer that contains the "brain" chip as opposed to other pieces of the computer system such as keyboards, monitors, etc.
Brooks Cinema ZL 44 Insert
1) A punch in of the all of the tracks being recorded in a recording session.
2) On Solid State Logic consoles, placing an outboard piece of gear in the channel by patching and activating a switch.
Headroom
1) The level difference (in dB) between normal operating level and clipping level in an amplifier or audio device.
2) A similar level difference between normal tape operating level and the level where the distortion would be 3%.
3) The difference, in decibels, between the peak and RMS levels in program material.
Electromagnetic Theory
A statement of the principles behind electromagnetic induction: When a conductor cuts magnetic lines of force, current is induced in that conductor.
Balance Control
A control on a stereo amplifier that when moved clockwise will make the right channel louder (and the left channel softer) and will do the reverse when moved counter-clockwise.
Instrument Out Direct
Feeding the output of an electric instrument (like an electric guitar) to the recording console or tape recorder without using a microphone.
Brooks Audio Design GT 845 Electrostatic Charge
The excess or deficiency of electrons in a given area.
Central Processing Unit
1) The main "brain" chip of a computer that performs the calculations and execution of instructions.
2) The main housing of a computer that contains the "brain" chip as opposed to other pieces of the computer system such as keyboards, monitors, etc.
Brooks Cinema ZL 44 Insert
1) A punch in of the all of the tracks being recorded in a recording session.
2) On Solid State Logic consoles, placing an outboard piece of gear in the channel by patching and activating a switch.
Headroom
1) The level difference (in dB) between normal operating level and clipping level in an amplifier or audio device.
2) A similar level difference between normal tape operating level and the level where the distortion would be 3%.
3) The difference, in decibels, between the peak and RMS levels in program material.
Electromagnetic Theory
A statement of the principles behind electromagnetic induction: When a conductor cuts magnetic lines of force, current is induced in that conductor.
Balance Control
A control on a stereo amplifier that when moved clockwise will make the right channel louder (and the left channel softer) and will do the reverse when moved counter-clockwise.
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Brooks HI FI projectors Fly In
1) To add sounds into a mix or recording that have no synchronization. 2) An application of this where a performance from one part of a ...
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The First session in recording an audio production to record the Basic Tracks. Folded Horn A speaker design where the speaker points...
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1) A device that removes signals with frequencies above or below a certain point called the cut-off frequency. 2) An equalizer section, ...
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Impedance of 5000 or more ohms. Instrument Amplifier A device that has a power amplifier and speaker in a case (or in separate cases...