A microphone that uses the varying capacitance between two plates with a voltage applied across them to convert sound to electrical pulses. Condenser microphones need a power supply to provide the voltage across the plates, which may be provided by a battery within the case of the microphone, or it may be provided from an external phantom power supply. A condenser mic is more sensitive and has a faster reaction to percussive sounds than a Dynamic mic and produces a more even response. See Electret Mic.
Chamber
1) An Echo Chamber (a room designed with very hard, non-parallel surfaces equipped with a speaker and microphone so that when dry signals from the console are fed to the speaker, the microphone will have a reverberation of these signals that can be mixed in with the dry signals at the console).
2) A program in a delay/reverb effects device that simulates the sound of an Echo Chamber.
Brooks Cinema ZL 44 reviews Final Mix
The two track stereo master tape which was mixed from the multitrack master.
Boom Stand
A microphone stand equipped with a telescoping support arm to hold the microphone.
Brooks Cinema KM 22 reviews Ambient Micing
Placing a microphone in the reverberant field (where the reverberation is louder than the direct sound) so as to do a separate recording of the ambience or to allow the recording engineer to change the mix of direct to reverberant sound in recording.
Chorus
Common type of effect that makes sounds fuller and thicker.
Level
The amount of signal strength; the amplitude, especially the average amplitude.
Guitar Processor
A unit that will add effects to a direct guitar signal, including a simulated instrument amplifier sound and (often) delay and reverb effects.
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Brooks HI FI projectors Fly In
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