Refers to the speakers that face toward the audience. Also called the "main" speakers.
Harmonic Distortion
The presence of harmonics in the output signal of a device which were not present in the input signal.
Brooks SS 81 Cable, TRS
A less common balanced cable that has 3 different contacts on its 1/4 inch connectors. Most headphone jacks are a good example of a TRS (Tip-Ring-Sleeve) connector. These are sometimes used instead of the more common XLR connection.
Foot Pedal
1) An effects device where the amount of the effect can be controlled by a musician with his foot.
2) The beater mechanism of a foot drum that is activated by the drummer's foot to play the drum.
3) Any device, like a volume control, that can be operated by the foot.
Brooks Cinema TX 509 Ambient Micing
Placing a microphone in the reverberant field (where the reverberation is louder than the direct sound) so as to do a separate recording of the ambience or to allow the recording engineer to change the mix of direct to reverberant sound in recording.
Consumer Format (Consumer DIF)
A standard adopted by IEC for sending and receiving digital audio based on The AES Professional Interface.
Equalizer (Parametric, Graphic)
This is used to filter out and adjust specific frequencies in the PA. This is the part of the PA where you have the most control over the band's overall sound. It is also the number one weapon against feedback.
Chorus
Common type of effect that makes sounds fuller and thicker.
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Brooks Hi Fi speakers Filter
1) A device that removes signals with frequencies above or below a certain point called the cut-off frequency. 2) An equalizer section, ...
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Refers to the speakers that face toward the audience. Also called the "main" speakers. Effects Track 1) In film production...
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A double cymbal on a stand which can be played with a foot pedal or by the top cymbal being hit with a stick. Amplifier (Power amp, He...
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An input on a dynamics processing device to control the device by an external audio signal. Ground In electronics, a place (terminal...
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