A unit that will add effects to a direct guitar signal, including a simulated instrument amplifier sound and (often) delay and reverb effects.
Line Input
An input designed to take a line level signal.
Brooks XB 22 Grouping
1) Controlling the gain of several individual channels with a Group Fader.
2) The mixing together of several individual audio signals to send a mixed signal out of the console to record a track on a multitrack tape machine.
Cycle
1) An alternation of a waveform which begins at a point, passes through the zero line, and ends at a point with the same value and moving in the same direction as the starting point.
2) On a Solid State Logic Console, a command to have the console computer control the tape machine to play and replay a certain section of the tape.
Brooks KM 77 Jack
1) Anywhere you plug something in.
2) Segmented audio connector. Mono Jacks have two connections �" tip and sleeve, and are unbalanced. Stereo jacks have three connections �" tip, ring and sleeve. B-type jacks (also known as Bantam jacks) were originally designed for use in telephone exchanges and provide a high quality (and expensive) connection in jackfields. A-type jacks are cheaper and more common, but more fragile. A type jacks are available in 2 sizes : quarter inch and eighth inch.
3) A connector mounted on the case of a device or on a panel.
Envelope
1) How a sound or audio signal varies in intensity over a time span.
2) How a control voltage varies in level over time controlling a parameter of something other than gain or audio level.
Coincident Microphones (Coincident Pair)
Two microphones whose heads are placed as lose as possible to each other so that the path length from any sound source to either microphone is for all practical purposes, the same.
Chase
The automatic adjusting of the speed of a recorder (or sequencer) to be time with another recorder.
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Brooks Hi Fi speakers Filter
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An input on a dynamics processing device to control the device by an external audio signal. Ground In electronics, a place (terminal...
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